![]() The fight scenes in particular are all top notch, being appropriately grisly and brutal and beautifully choreographed. The art style in the movie bears pretty much no resemblance to Mignola's distinct panels, but that honestly doesn't bother me, because the film looks great and the animation is smooth and pleasing, and overall as well done as we expect things from Bruce Timm and co. Her concern for the prostitutes and other voiceless people of Gotham City feels like it's taken straight out of the Ed Brubaker Catwoman series, and that's definitely a good thing. Selina Kyle in particular is a standout, capturing almost everything I love about the character at her best even with this being a non-costumed version (though she's still quite the classy dresser). Albeit, some of them are little more than glorified cameos (such as Cyrus Gold), but their presence is still appreciated, because (again), it feels like more of a true adaptation of Batman's world, not limiting itself to just Bats, Alfred, and Gordon. Here, numerous characters make the transfer. ![]() In the original story, only a handful of characters besides Batman made it over into the comic. Because I loved it anyway.įirst off, one thing the animated film has over the comic is that it feels more like a "full" adaptation of Batman's world in 1889. Everything else is completely different (right down to who Jack the Ripper actually is). Batman, and Bruce Wayne being framed and jailed for the Ripper murders. The only things the movie has in common with the comic are the Batman costume, the setting, the premise of Jack the Ripper Vs. You have been warned.įirst thing's first, it needs to be understood that this movie is really more inspired by the graphic novel of the same name rather than a direct adaptation. So without further ado, here it is.Īnd, it goes without saying, that as much as I try to avoid it in this review, there are some SPOILERS. So, after waiting what felt like an ungodly length of time, I finally got to see the animated Batman: Gotham by Gaslight, and I thought it only right and proper to do a review for it, especially since there don't seem to be that many reviews for it as of now. It is the 51st film in the DC Universe Animated Original Movies.Batman: Gotham by Gaslight Movie Review (SPOILER WARNING!!!) The logic-driven Batman, aided by Green Arrow, Etrigan, and James Gordon, battles these supernatural forces and ultimately sacrifices his humanity to save Gotham.Īn animated film based on the books was released on 4K Blu-ray, Blu-ray and Digital in March 2023. Bruce’s investigation in Cobblepot’s journal expedites his return to Gotham City, which triggers a series of events where he learns a mystery that stretches back to the founding of Gotham and of a cult led by Ra's al Ghul seeking to unleash an ancient evil to usher in the end of the world. But while investigating the disappearance of an expedition crew under Oswald Cobblepot, Bruce subdues an undead crewman named Gredon who was freeing an otherworldly creature encased in ice. Set in the 1920s, Bruce Wayne travels abroad for twenty years following the murder of his parents in his search for answers behind the criminal mind. ![]() In 2015, the story was finally collected into one full volume by DC and published as a trade paperback. In addition, the story's title is an allusion to Lovecraft's " The Doom That Came to Sarnath". Mignola's third work for the character, the story is full of many Lovecraft-inspired renditions of both the Dark Knight's friends and foes, including Green Arrow, Etrigan, Two-Face, Ra's al Ghul, and so on. The comic was loosely adapted into an animated film with the same name in 2023. Written by Mike Mignola and Richard Pace and illustrated by Troy Nixey (pencils) and Dennis Janke (inks), with Mignola providing covers, the story deals with an alternate Batman in the 1920s fighting against mystical and supernatural forces that are taking Gotham by storm after he accidentally reawakens the being known as the Lurker on the Threshold. Batman: The Doom That Came to Gotham is a three-issue comic book miniseries published from November 2000 to January 2001 under DC Comics' Elseworlds imprint.
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